Ceramic is known to word social class and it derived from folk art, human emotions, most inspiring artists in the ceramic mold making have soul vibe and voices of artists are like the life of society.
Europe is one of the industry development and it cũng platform for pottery. In order to evaluate possible The Vietnam art pottery, the important thing is the place of folklore, should have a correct understanding relationship centered life of ceramic and popularize contemporary có. Can as seen flashy, extravagant but no quarter saw much of the ceramic core Vietnam is often bright and clever, idyllic khi Raw also like the voice application dated familiar voice of the people.
Vietnam is known as one of the platform’s most powerful developed ceramic typical:
Dong Dau pottery: various shapes and spiral pattern, jagged, parallel lines and dots printed form filling. Especially also find bull statue, bird, chicken head.
Pottery Go Mun has much dominant geometric, clear patterned to imitate patterns on the bronze.
Ceramic Phung Nguyen, Dong Dau, Go Mun is not only rich in pattern soon which also varies in shape, shapes until later still preserved in folk kilns like bell mouth type pitcher standing there, neck, belly hatch. Type spittoons lower legs, feet high. In the Mekong Delta distance centuries BC ceramics also have wave patterns, geometric, shapes very close to Gu with ancient pottery and the midland plain of Tonkin. Shaped pottery typical of the South, which existed until now.
Folk Art from the existence and development of public life are often the most widely expressed from conventional materials.
Brown and white ceramics precursor to speak


Brown floral ceramic crockery kind usually porous, glossy ivory enamel, brown pattern. Flower carved on bones that wet bar before coloring. Along with kind brown border, patterned white, brown ceramic flower gradually later shown many different techniques, basically still this much material such as ash glaze, lip stones, rocks rot or rust completely natural breeding of ceramic material mem stick thin eel skin-like design with beans and also includes contracts very familiar to this day. Basic yeast eel skin made of ash mixed with ice lip, rotten rock and a handful of land, other limes leave our forefathers to utilize local ingredients as available almost everywhere.
Brown floral ceramic crockery kind usually porous, glossy ivory enamel, patterned white, brown ceramic flower later gradually is expressed in a variety of different techniques but still, this much basic ceramic materials: ash glaze, is stones, rotten stone or rust exactly the glaze ingredients eel skin.
Characteristics of ceramics cooking style are plump shape, strong suited carved entrance, the entrance to a small bowl shallow depth array arbitrary and based on very clear. Ceramics are decorated very attached to nature and life of the people of Vietnam. Some brown ceramic flower later imitates expressions room of blue and white ceramics. Since then fades away the unique beauty of ceramic flowers brown.
Brown ceramics are known from before the 11th century was born with eel skin glazed ceramics. With the use of stone painted ceramic bowl up capital from primitive times to the present day in many folk kiln artisans still using materials and techniques to make separate pieces.
The most typical stages of brown ceramics are that it brings clarity of brown ceramic flower Vietnam, not a foreign ceramics are mixed. Only a brown color which creates more nuanced, not monotonous.
Celadon pottery
Celadon pottery was developed long ago with some algae celadon vases period may in the 8th century, the 9th with a very strong design, enamel coated thickly with pretty much the same type of ceramic artifacts alive. Technical demonstrate original celadon immature. Ground bone and enamel contain more iron content not only facilitate the making yeast eel skin but also facilitates making celadon. During the pottery from the random results lead to the intended result is the routine work. The process to find ancient celadon also like.
Vietnam celadon pottery with motifs engraved or embossed mainly inside a bowl, a disc under celadon color throughout gives a gentle beauty has also deepened the fire caused by the uneven firing from color green jade is slightly sicken golden brown. Decorative motifs are flowers, phoenixes and a number of people and in the greenery. Celadon patterns that affect much of the pattern carved contemporary rock wool.
Blue and white ceramics
Blue and white ceramics from the late 14th -century shape and original style is very simple. Blue underglaze colors visible, men clinging to the land with high solid bone. That kind of “porcelain” was developed to this day, but each time the style has changed. Usually, blue and white ceramics glaze decorated, but not incised, and the only way of gently drawing as the hydraulic opening. Beautiful painted blue and white ceramics typical of Vietnam’s entrance reporter pen drawing on the vase, lamp, large or small dishes especially from the late 15th century to the late 17th century decorative theme is usually the dragon, phoenix , clouds, lotus, chrysanthemum wire, etc … With the color blue on a white background leaning on a little gray ivory. The shape of this type also has a unique beauty: bowls, cups, plates very loud and very high vacuum; candlesticks, vase shape but graceful health. Especially since the mid-15th century, some candlesticks, incense burners, vases, breeds not only carving dating probably has engraved the names of people to do. That is very rare in the ancient art of Vietnam. It should be added: Ly Dynasty celadon bowl, the tiny leg and foot bowl blue flowers this time very loud and high, primarily due to changing technical requirements in terms of economic benefit (from the use of children after moving scrape into yeast in the bowl to overlap lap while in the oven, then with a certain type of ground bone, forced to move jobs into smaller bowls from foot to foot to keep it from sticking together and). There are many foreign scholars and former national human foot bowl of different size that the main cause of predictability in terms of thinking, or under terms of religion is not correct. It should be mentioned that the collaboration between engineering and art here quite ingenious; small footprint make pottery or legs to create beauty are worth.
Blue and white ceramics from the 19th century onwards pretty poorly perhaps due to limited export markets. Poor men in the country, due to the soil material changes phase in enamel. As many vases, dating Gia Long Choe has not flowed the poor men, less severe in that shape, decoration slim not eat together, signaling downward phase of the blue and white ceramics. Later, blue and white ceramics technique was more advanced; but the style of hand-painted matured past century give way to the entrance in capital, not allowed back beauty as before Vietnamese pottery factory